drawing, print, ceramic
drawing
neoclacissism
ceramic
cityscape
history-painting
building
This ten-inch diameter plate was created by Joseph Stubbs around 1819-1836. Notice the striking blue and white contrast, achieved through transfer printing on earthenware. The central image, framed by a floral border, draws us into a scene of architectural grandeur. The building's classical facade, complete with imposing columns, dominates the plate's composition. Stubbs employs a detailed, almost topographic approach. The rigid lines and symmetry of the architecture is softened by the delicate, organic motifs of the surrounding floral patterns. This juxtaposition creates a visual dialogue between the rational and the natural. The monochrome palette reduces the scene to its essential forms and textures. The choice of a singular color scheme highlights the graphic qualities of the print, turning the utilitarian object into a study of form and representation. Through this interplay of pattern, image, and form, Stubbs invites us to consider the relationship between representation and function, subtly questioning the values we project onto everyday objects.
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