Prentbriefkaart aan Philip Zilcken Possibly 1920 - 1929

This postcard to Philip Zilcken by Lya Berger is a small paper rectangle covered in handwriting, sent at some point in the early 20th century. The cursive script in faded blue ink feels immediate and intimate. The ink sits on the surface, slightly raised, creating a subtle texture that gives the writing a tangible presence. Look at how the letters lean and loop, almost like they're dancing across the page. It reminds me of my own process where I try to let the materials lead the way. There’s a rhythm and flow to the words, mirroring the act of thinking and feeling in real-time. Especially in the way some of the words are written over each other like ghostly apparitions. Berger’s choice of handwriting is interesting. It’s a direct form of expression, unfiltered and personal, echoing the modernist idea that art should be immediate and authentic. Think of Cy Twombly’s scribbled paintings that also blur the lines between writing and drawing. Ultimately, this postcard shows us that art is a conversation, a back-and-forth between people and ideas across time.