Dimensions: object: 610 x 279 x 584 mm
Copyright: The Work of Naum Gabo © Nina & Graham Williams/Tate, London 2014 | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Looking at Naum Gabo's "Construction in a Niche" housed at the Tate, I find myself captivated by its architectural form and potential symbolism. Editor: My first impression is that it resembles a miniature stage set, maybe even a prototype, complete with translucent backdrops and a curious cone poised above. Curator: The geometric arrangement resonates with utopian ideals, proposing a vision of harmonious order. The niche itself is a sort of sacred space. Editor: The work’s constructed nature is what strikes me. Gabo’s use of industrial materials, that spiral filament, feels thoroughly modern, defying tradition through its making. Curator: That filament, to me, suggests a pathway of enlightenment, a striving towards higher consciousness. Editor: Perhaps, but it’s also a testament to the era's fascination with new technologies and material exploration. It’s about process. Curator: Indeed, both the material and the symbolic intertwine, reflecting the dynamic tension of modernity. Editor: Ultimately, this work makes us consider the intersection of the industrial and the ideal, doesn’t it?
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http://www.tate.org.uk/art/artworks/gabo-construction-in-a-niche-t02145
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This construction is an enlargement of the left-hand section in Model for 'Double Relief in a Niche' (1929-30). Despite its mechanistic appearance, it was designed for a domestic setting, though the project was never realised. Gabo's works for niches developed from his early interest in sculptures that extended across the actual space of a room, which he shared with such Russian artists as Vladimir Tatlin. Here, the curved and rigid forms define the space within and beyond the box. Gallery label, August 2004