Church in Labastide 

Henri Martin painted Church in Labastide using oil on canvas. Note how the surface is built up from numerous tiny touches of pure pigment. The technique, Divisionism, creates a vibrating, shimmering effect, as though the scene is composed of light itself. Observe how Martin has structured the composition: The church tower rises almost centrally, flanked by trees and mirrored in the water. Symmetrical, yet softened by the organic forms of nature. Semiotics may view this as the church tower, a symbol of stability, juxtaposed against the fleeting reflections, emblems of change. The use of complementary colors— oranges, blues and greens—heightens the sense of light. Divisionism sought to render not just visual reality, but also an emotional or psychological state. Consider how Martin balances formal structure with a sense of transience, inviting ongoing contemplation.