L’église De Labastide Du Vert 

Henri Martin painted L’église De Labastide Du Vert using an oil-on-canvas technique known as pointillism. A laborious method, pointillism involves applying countless tiny dots of pure color, which then blend optically when viewed from a distance. This was not just a visual strategy, but a material statement. It was meant to parallel the division of labor in industrial society, breaking down the act of painting into discrete, almost mechanical gestures. Martin's application of pointillism gives the scene a vibrant, shimmering quality. Each small dab of paint contributes to the overall texture and luminosity of the painting. The technique invites contemplation on the time and effort invested in its creation, transforming the landscape into a mosaic of social meaning. Through his meticulous process, Martin elevates the status of craft within fine art. The painting reminds us that the value and beauty of art lie not just in the image, but in the materials, the making, and the context.