Solon, the wise lawgiver of Athens by Walter Crane

Solon, the wise lawgiver of Athens 

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painting, watercolor

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portrait

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narrative-art

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painting

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greek-and-roman-art

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caricature

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figuration

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watercolor

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classicism

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ancient-mediterranean

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watercolour illustration

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history-painting

Editor: Walter Crane's painting, "Solon, the wise lawgiver of Athens," depicts a scene from ancient Greece, rendered in watercolor. The overall feeling is one of stately formality, though the slightly cartoonish style introduces an unexpected lightness. What can you tell me about the scene depicted here? Curator: Ah, Walter Crane! He does enjoy giving history a little wink, doesn’t he? To me, this painting feels like a stage play—all careful poses and knowing glances. Look at the way Solon sits, so deliberately posed on his throne-like chair. The light and airy watercolour helps in portraying this grand scene in a soft tone. This isn't just a portrait; it's a tableau, a lesson in good governance. He really captures the essence of 'wise lawgiver,' wouldn't you say? Editor: Yes, he does! The men in armour and red robes are an immediate giveaway for it, adding to the grand effect. I did not realize the impact light had on this watercolour; how would that compare to its painting equivalents, do you reckon? Curator: A heavier oil painting would indeed give the setting gravity, adding intensity to the scene at the expense of being gentle. It is almost as if it shows Solon the lawgiver almost acting on a staged setting and is less an impactful authoritative rule and more of just guidance, a soft directive, just like the strokes here. But does that take away the actual impact this historical painting brings in your perspective? Editor: Not at all; I think that gives it more impact if anything! It almost acts like he has thought-out the scenario, made all parties feel welcome, then applied it in an efficient yet friendly manner. A sort of roleplay as it were, or like you mentioned, theatre. Curator: Exactly! Crane seems to suggest wisdom isn’t just about authority; it’s also about understanding, compromise, a little bit of showmanship even. Perhaps true lawgiving is good acting! Editor: It seems as though he has hit the nail on the head here; all parties need to feel somewhat good about what happens and should almost reach that state organically, without too much direct impact! A masterful painting. Curator: Indeed! The brushwork isn't simply artistic; it's a glimpse into the very heart of governance! Thanks to that painting, a little seed of thought for us.

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