Untitled 1992

Charles Bezie's 'Untitled' is a study in contrasts, primarily using stark colors of red, white, and black. The composition centers around interlocking geometric shapes, creating a fragmented and dynamic visual field. The artwork's power comes from its reduction to elemental forms and colors. The shapes, mostly triangles and straight lines, suggest a semiotic system where each component acts as a signifier. The black could represent structure, the red passion or energy, and the white purity or emptiness. Together, these elements challenge fixed meanings, inviting viewers to decode the artwork's underlying structure. Bezie challenges traditional notions of space and representation. By destabilizing the conventional relationship between figure and ground, Bezie suggests that art is not about mirroring reality but about creating new forms of perception and understanding. The work serves as an open text, inviting endless interpretations, each shaped by our own cultural and personal contexts.