Thermos pitcher 1935
henrydreyfuss
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This thermos pitcher, designed by Henry Dreyfuss in 1935, exemplifies the streamlined aesthetic of the Art Deco movement. Its rounded, bulbous form and smooth, minimalist lines are characteristic of the period's emphasis on functionality and elegance. The contrasting materials of brown enamel and silver-toned metal add visual interest, creating a visually striking piece that is both practical and decorative. This thermos pitcher is a testament to Dreyfuss's enduring legacy in industrial design, showcasing his ability to create objects that are both beautiful and efficient.
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Henry Dreyfuss was perhaps the most understated of the early industrial designers. Like his teacher and main inspiration Norman Bel Geddes, he moved from theater design to industrial design, but took a more practical approach, developing long relationships with clients such as the Hoover company, John Deere, and the New York Central Railroad. Dreyfuss preferred the word "cleanlining" to "streamlining," which distanced him from what he considered to be the excesses of the 1930s restyling movement. He was sufficiently self-promotional to write his own autobiography, Designing for People, in 1955, following in the footsteps of Bel Geddes, Teague, and Loewy. These pitchers are typical of his approach to industrial design, with synthetic materials and clean lines. The American Thermos Bottle Company promoted them with Dreyfuss's name, which appears in signature form on the bottom.
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