Untitled; verso: blank page Possibly 30 - 64

Editor: So, this is an untitled watercolor work by Paul Feeley. It looks like it's from '64, judging from the inscription. The geometric forms are interesting, but I'm curious about their arrangement. What's your take on this, given the historical context? Curator: Feeley’s engagement with geometric abstraction aligns with mid-century artistic trends. But I’m interested in how he subverts the perceived rigidity of geometric forms. Do you notice how the watercolor bleeds, softening the edges? This tension between order and fluidity challenges the dominant narrative of purely rational abstraction. Editor: I see what you mean! It's like he's questioning the very idea of perfect geometry. Curator: Precisely. And think about the social context. The '60s were a time of upheaval. Could Feeley be using these imperfect shapes to comment on the imperfections within societal structures? Editor: That's a fascinating point. I never considered how the political climate might influence abstract art. Curator: Art is always in dialogue with its time. Reflecting on those dialogues teaches us so much.