Hannibal Before the Senate in Carthage 1798 - 1799

Etienne Pierre Adrien Gois created this drawing, Hannibal Before the Senate in Carthage, with pen and brown ink, and gray wash. Wash is a technique where the artist applies diluted ink or paint to the paper or support, creating tonal effects, or shading, to achieve depth. The application of the wash is quite loose, and contrasts with the careful hatching that defines the architectural background. The artist’s technique directs our focus onto the human drama playing out here. The material qualities of the ink contribute to the atmospheric tone of the scene. This drawing is a study for a larger history painting, a genre intended to elevate its maker. Yet the artist also puts his skill as a draughtsman on display. In its own way, it bridges the gap between the concept of the ‘fine artist’ and that of the artisan, who draws to execute commissions. It reminds us that these categories are not as separate as we might think.