Sitzender Jünglingsakt mit abgewandtem Kopf und untergeschlagenem rechten Bein 

Teutwart Schmitson’s "Sitzender Jünglingsakt mit abgewandtem Kopf und untergeschlagenem rechten Bein," meaning "Seated Young Nude with Head Turned and Right Leg Crossed," provides insight into the academic art of 19th-century Germany. As an artist born in 1830, Schmitson would have been influenced by the revival of classical ideals. This drawing is a nude study of a young male, likely produced in an academic setting, evidenced by the cut-out composition of the figure. Consider the role of the male nude within the history of art; often used to convey ideas of beauty and heroism, while simultaneously reinforcing gendered power dynamics. Here, the sitter's averted gaze and relaxed pose create an introspective and vulnerable atmosphere, which deviates from the traditional representations of masculinity. The artist does not idealize the body, instead capturing its raw, human form. The drawing invites contemplation on the historical and cultural factors that shaped the artist’s representation. It also suggests an exploration of the interplay between classical ideals and individual expression.