Study of the Borghese Gladiator from Behind 

Editor: This is Joseph Highmore's "Study of the Borghese Gladiator from Behind," housed at the Tate. The pen and ink really bring out the figure's musculature. What do you see in this work? Curator: The hatching and cross-hatching are quite remarkable. Note how Highmore uses the density of lines to suggest volume and shadow, creating a powerful sense of depth. Editor: So the lines are more than just outlines, they define the form? Curator: Precisely. They articulate the interplay of light and shadow across the gladiator's back, effectively conveying the tension and physicality of the pose. It's a masterclass in conveying form through purely formal means. Editor: I see it now! Thanks for pointing that out. Curator: My pleasure, it is fascinating how much information we can glean from the application of line alone.