About this artwork
This fashion plate titled "Egyptia" was made by G-P. Joumard in 1921-22, and seems to be made with watercolor and ink. You can really see the hand of the artist. It’s not about perfection, it's about expression, a snapshot of an idea. The texture is so delicate, almost like a whisper. The colors, muted and soft, create a dreamy atmosphere. I love how the artist uses a limited palette to create depth and dimension. The red and yellow ovals around the model's waist really pop against the silvery grey of the dress. The black lines create definition, but never feel harsh. It reminds me a little of the work of Erté, another fashion illustrator from the same period. But Joumard's work feels more personal, more intimate. There's a sense of playfulness, of experimentation, that I really appreciate. The beauty of art is that there's no one right way to see things, it’s about the freedom to make your mark, and to share your unique vision with the world.
Toujours Chic Les Robes, Hiver 1921-1922: Egyptia 1921 - 1922
G-P. Joumard
@gpjoumardLocation
RijksmuseumArtwork details
- Medium
- drawing, watercolor
- Dimensions
- height 180 mm, width 120 mm
- Location
- Rijksmuseum
- Copyright
- Rijks Museum: Open Domain
Tags
portrait
art-deco
drawing
watercolor
watercolour illustration
fashion sketch
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About this artwork
This fashion plate titled "Egyptia" was made by G-P. Joumard in 1921-22, and seems to be made with watercolor and ink. You can really see the hand of the artist. It’s not about perfection, it's about expression, a snapshot of an idea. The texture is so delicate, almost like a whisper. The colors, muted and soft, create a dreamy atmosphere. I love how the artist uses a limited palette to create depth and dimension. The red and yellow ovals around the model's waist really pop against the silvery grey of the dress. The black lines create definition, but never feel harsh. It reminds me a little of the work of Erté, another fashion illustrator from the same period. But Joumard's work feels more personal, more intimate. There's a sense of playfulness, of experimentation, that I really appreciate. The beauty of art is that there's no one right way to see things, it’s about the freedom to make your mark, and to share your unique vision with the world.
Comments
No comments