Oboe by Thomas Collier

photography

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sculpture

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photography

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black and white

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musical-instrument

Dimensions: L.: 56.6 cm (22-3/8 in.)

Copyright: Public Domain

Editor: This is a photograph of an oboe, dating from somewhere between 1770 and 1790. It is currently housed in the Metropolitan Museum of Art. There’s a delicate stillness to the photograph that somehow reminds me of portraits from the period. What strikes you when you look at it? Curator: I'm immediately thinking about the social contexts in which such an instrument would have been used. This oboe wasn't just a musical device; it was a signifier of status and culture. Who would have played it, and for whom? Consider the politics of entertainment in that era. The image also brings up questions about the changing role of music and musical instruments within societal power structures. Editor: So, it’s more than just an oboe? Curator: Precisely. The rise of the middle class and their engagement with the arts created a market and a demand. An instrument like this becomes intertwined with societal ambition and new modes of self-expression. How might the French Revolution, happening contemporaneously, affected the production and value of this instrument? Did this photograph transform the oboe's context for the audience? Editor: It is interesting to think how major historical and cultural movements change the trajectory and perception of objects and musical instrument in this instance! Curator: Yes! Objects often transcend their initial purpose and are heavily steeped in meanings applied by the public. What's something you learned by analyzing the sociocultural dimensions of this work? Editor: That context is almost another layer of art in itself, transforming our reading and feeling about objects! Thanks for making that so clear.

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