Bruidskist met gestoken versiering, o.a. 'Samson torit den lowen' by Hans (I) Gudewerdt

Bruidskist met gestoken versiering, o.a. 'Samson torit den lowen' c. 1600 - 1610

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carving, relief, wood

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medieval

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carving

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narrative-art

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sculpture

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relief

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figuration

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wood

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decorative-art

Dimensions: height 50.0 cm, width 85.5 cm, depth 50.5 cm, weight 37 kg

Copyright: Rijks Museum: Open Domain

Editor: This ornately carved wooden chest, created by Hans Gudewerdt around 1600, is just incredible. All those figures... the detail! It feels almost overwhelming. What stories do you think it’s trying to tell? Curator: Ah, yes. Overwhelming, perhaps, but purposefully so. The image of Samson fighting the lion, "Samson Torit den Lowen," is central. Think about the symbolic weight of Samson. Editor: Strength, defiance… maybe even a cautionary tale about pride? Curator: Precisely. But beyond that, what does the deliberate, repetitive use of narrative relief suggest to you about the cultural values it embodies? It served as a marriage chest; what connections can you draw? Editor: It was a gift? Is it some way of sending a visual message to the married couple? Is this strength being wished upon them? Curator: Perhaps, but look closer: Consider this as a container. The chest safeguards precious items, reflecting and reinforcing societal expectations, continuity, and… Editor: Preservation of the family legacy? So, the images are less about individual heroics and more about the enduring power of shared stories. It almost makes the images…warnings about the power that can come from tradition! Curator: Exactly! The chest speaks of inherited values, quite literally locking them away for safekeeping, and perhaps a suggestion that this couple should preserve those too. A striking object of visual memory and responsibility, no? Editor: Definitely! It's amazing how much a simple box can say about a culture's priorities. Thank you, I can tell I would've walked away without even understanding how powerful this is. Curator: My pleasure. Seeing is just the start of understanding; cultural memory, etched in wood, awaiting interpretation.

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