Echtpaar Jetten met gasten op een rivierboot by Anonymous

Echtpaar Jetten met gasten op een rivierboot 1925 - 1927

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photography, gelatin-silver-print

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portrait

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photography

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group-portraits

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gelatin-silver-print

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realism

Dimensions height 62 mm, width 107 mm

Curator: What a captivating photograph! We're looking at "Echtpaar Jetten met gasten op een rivierboot," which translates to "Jetten Couple with Guests on a Riverboat." It’s a gelatin-silver print, dating from around 1925 to 1927. Editor: There's something hauntingly beautiful about it, despite the grainy texture and slightly blurred focus. It feels incredibly intimate, almost voyeuristic. The muted tones and stark contrast give it a timeless, almost dreamlike quality. Curator: The realism in this portrait draws us in. You can practically feel the sun and humidity hanging over the water. Family portraits such as these offer fascinating glimpses into the social dynamics of that era. Notice how formal the attire appears even for a boat ride. Editor: Right. Those spotless, collared white shirts. There is a lot to unpack in these displays of what were once conventional postures. The stiff bearing communicates societal values, of course, but it also alludes to more exclusive realms, hinting at hierarchies defined by power, resources, and position. How would you see this group portrait shaping or shifting the established notions of power? Curator: Well, considering the history, group portraits in bourgeois culture, certainly reinforced societal structures and the values and aesthetics of that group; for example, celebrating familial bonds reinforced ideals of domesticity and lineage. They used the setting in ways to construct their personal identities as enjoying leisure time while demonstrating status, solidifying the perception of affluent middle-class families and upholding its position in society. Editor: I'm also struck by what's absent: Any overt expression of emotion or even interaction between the subjects. They seem isolated despite their proximity. Even a gesture as simple as placing their hands on one another would provide a more nuanced statement. In a photo such as this, its neutrality becomes potent and raises more intriguing issues. Curator: Precisely. The power dynamics aren't always obvious. While the photo ostensibly celebrates familial bonds, it may also reveal social expectations about formality and emotional control. We must also wonder about who is missing. Editor: The gaze and who the picture serves have so much more relevance to the contemporary moment and, in the context of present society, opens conversations that would otherwise not have been presented. Thank you. Curator: Absolutely. These reflections add depth and bring an unexpected connection to the past.

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