Vesta Victoria, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Vesta Victoria, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes 1890

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print, photography

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portrait

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print

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photography

Dimensions Sheet: 2 1/2 × 1 7/16 in. (6.4 × 3.7 cm)

Editor: Here we have "Vesta Victoria," a photograph printed by Kinney Brothers in 1890 as part of their Actresses series to promote Sweet Caporal Cigarettes. The actress is playfully posing, and the image is quite small. I find myself wondering, what's the context of these images? Curator: I think we must examine the very nature of this object, its means of production, and its intended consumption. This isn’t simply a portrait; it’s a trade card, a cheaply produced image meant to be collected and traded, directly tied to the mass consumption of cigarettes. The labor involved – from the tobacco fields to the printing presses – is integral to understanding the image. What does it tell us about the commodification of leisure and performance at the time? Editor: So, it's less about Vesta Victoria herself and more about how she's being used to sell a product? Curator: Exactly! Her image is raw material, processed and distributed as part of a larger system of capital. Look closely – the "art" lies not just in the photographic process, but in the entire chain of production and the cultural norms that allowed this system to thrive. Does the Japonisme style listed change our reading of it? What material processes were used to reflect this artistic influence? Editor: I see your point. It makes you think about how advertising infiltrates every aspect of life. I never would have considered the connection between tobacco production and photographic prints like this. Curator: Precisely. By foregrounding these processes, we shift away from celebrating individual artistic genius towards scrutinizing the larger forces at play, a different understanding of aesthetics. Editor: It’s like looking at art through a different lens. I appreciate understanding the cigarette card as an industrial product. Curator: Indeed. Focusing on these material aspects makes us more critical consumers of images, aware of their embedded social and economic implications.

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