Bella Betton, from the Actresses series (N203) issued by Wm. S. Kimball & Co. by William S. Kimball & Company

Bella Betton, from the Actresses series (N203) issued by Wm. S. Kimball & Co. 1889

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drawing, print, daguerreotype, photography

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portrait

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drawing

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print

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impressionism

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daguerreotype

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photography

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19th century

Dimensions Sheet: 2 5/8 × 1 3/8 in. (6.6 × 3.5 cm)

Curator: Looking at this photographic print titled "Bella Betton, from the Actresses series," issued around 1889 by Wm. S. Kimball & Co., one immediately confronts a bygone era of celebrity and advertising. It’s a fascinating confluence, isn't it? Editor: Indeed! And immediately striking is the sitter's somewhat melancholy gaze. The light is soft, almost dreamy, imbuing the whole composition with a sense of theatrical wistfulness. Curator: The daguerreotype-esque quality, though printed, evokes a palpable sense of history. These were collected, traded, and signify a democratized view of fame emerging with mass-produced imagery. Bella Betton, frozen in this ephemeral medium, speaks to the actresses whose personas blurred with commercial desire. Editor: Absolutely, and it’s very clever how Kimball’s has staged her; look at how her velvet dress seems to anchor her physically within the photographic space, that ornate fabric emphasizing surface, texture, and light. How the material contrasts with her pale skin and feathery hat. Curator: She appears trapped within a social contract, beautiful yet commodified. That feathery headpiece, itself, signals vanity and display, a powerful, recognizable symbol in this period when individual agency was beginning to grow for women in performance. It also mirrors the cigarette smoke, ethereal, consumable, transient. Editor: It’s remarkable how that sense of constraint works compositionally, too. The composition is built on visual tensions – the high collar accentuating the exposed skin of the décolletage, or the strict symmetry juxtaposed to that loose romantic hair framing her face. It creates an interesting visual dynamic. Curator: Yes, even her posture signals restraint – hands clasped primly. This contrasts against what the era implied a "woman of the stage" embodied: transgression, independence, creative license. Editor: It does! This tiny image contains such vast historical narratives. So, this is where fame truly began, compressed to fit in a cigarette pack! Curator: It makes you consider that Bella Betton and the cultural weight of the image extends even further.

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