Portret van Jacob Roman 1670 - 1713

This is Pieter Schenk's portrait of Jacob Roman, made around the turn of the 18th century using the printmaking technique of mezzotint. Mezzotint is an intaglio process, meaning that the image is incised into the plate. But rather than using a sharp tool to directly create the lines, the entire surface is roughened first, then selectively burnished smooth. Where the surface remains rough, the most ink will be held, creating the darkest tones in the print. This allows for a wide range of tonal values, as you can see in the exquisite rendering of Roman’s face and voluminous wig. The technique was highly prized for its ability to reproduce subtle gradations of light and shadow, making it well-suited for portraiture. However, it was also labor-intensive and required great skill, contributing to the perception of printmaking as a highly skilled craft rather than a fine art. By considering the intricate process of mezzotint, we gain a deeper appreciation for the artistry and labor involved in creating this portrait, challenging the traditional hierarchy between art and craft.