Très Parisien, 1926, No. 1, Pl. 4: Création CYBER - TOUTES LES FLEURS 1926

Curator: This delightful drawing, "Très Parisien, 1926, No. 1, Pl. 4: Création CYBER - TOUTES LES FLEURS," is by G-P. Joumard and currently resides in the Rijksmuseum. Editor: My initial impression is that it's airy and delicate, with a playful use of line and color, evoking the spirit of its time. The silhouette is elongated, reflecting a desire for modern elegance. I'm curious about the materials. Curator: The artist employed watercolor, lending the image a softness that's characteristic of intimism, reflecting the contemporary trend in art towards capturing modern private life and quiet contemplation. Editor: Yes, and I'm drawn to the textile details—the dress seems to be made of crêpe de Chine, adorned with an exquisite floral pattern. The godet skirt and bell sleeves give it such fluid movement. The label at the bottom indicates that it's printed with the inscription "Pastorale," which calls back to the garment’s material and craftsmanship. Curator: Absolutely. Fashion plates such as these circulated within a burgeoning media landscape eager to codify Parisian styles. The dress is credited to the firm CYBER. This era witnesses a fascinating collision of traditional artistry with nascent design industries and modern production techniques. Editor: Looking closely, it's fascinating how the dress seems almost weightless despite the intricate details in its design. The combination of textures and delicate floral patterns seems incredibly innovative. Curator: Indeed. Joumard cleverly captures not only the aesthetic ideal but also the underlying social currents influencing fashion and consumer culture at the time. The Art Deco influence is undeniable here, shaping notions of feminine identity and high society. Editor: The focus on textiles and production reminds me of the often-overlooked labor and skill involved in creating these fashionable garments. The “Creation CYBER - TOUTES LES FLEURS” description printed beneath gives prominence to not only the atelier behind it, but the very fabric it is made from! It challenges our traditional assumptions regarding fashion's material construction. Curator: A great point. In short, it's an eloquent artifact demonstrating not just sartorial aesthetics, but also artistic and industrial innovation. Editor: I agree; I leave here with a richer appreciation of both the visual appeal and the skilled production processes embedded within it.