Portret van Denis Auguste Affre by Eugène Gervais

Portret van Denis Auguste Affre 1848 - 1880

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engraving

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portrait

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old engraving style

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history-painting

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engraving

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realism

Dimensions height 342 mm, width 260 mm

Curator: This engraving, likely created between 1848 and 1880, offers us a glimpse into the life of Denis Auguste Affre, and the turbulent political and social environment of the time. Editor: My immediate sense is one of solemnity. The fine lines create a striking contrast between light and shadow, almost like a photographic negative, which amplifies the seriousness in his expression. Curator: Precisely! This seriousness stems from the incredibly complex relationship between church and state in 19th century France. Affre, as Archbishop of Paris, became deeply entangled in the revolutionary upheaval of 1848. He tried to be a mediator of sorts. Editor: The symbol of the cross emblazoned on his chest then, serves not just a religious function, but also as a visual marker of authority, fraught with sociopolitical implications. Curator: Exactly. Consider that during this era, religion was weaponized by the monarchy, and further galvanized resistance on the part of revolutionaries! It is further intriguing when considering the visual vocabulary deployed when observing similar, but distinctly different class strata. Editor: His raised hand also resonates symbolically. While its intended purpose was probably as a signal to negotiate a peaceful settlement between the army and the revolutionaries, now that raised hand just emphasizes how high stakes, how explosive and ephemeral these moments truly are! Curator: Indeed. His later death by stray gunfire, after a failed truce is a sharp reflection on just how deep these sociopolitical trenches run, so to speak! I read Affre’s figure here not as a neutral entity but instead as a central nexus caught between volatile oppositions! Editor: This has given me an expanded sense of how history painting can convey memory in poignant yet accessible imagery; the careful details evoke his burden as well as a cultural snapshot. Curator: And I hope listeners feel equally compelled to analyze history paintings, and any paintings really, in their own complicated contexts to uncover overlooked social threads.

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