This collection of signatures, made in 1830 by an anonymous hand, offers an intimate glimpse into a specific social stratum of the Netherlands. These flourishes and careful inscriptions speak to the importance of signature as identity for presumably wealthy, white men. In a time of shifting political landscapes and burgeoning national identities, the act of signing one's name was more than a mere formality; it was a declaration of presence, status, and belonging. The artistry in these signatures is evocative of both power and a distinct social identity. What does it mean to consider the labor, or artistry, of a signature? How does it function as a social marker? It may invite us to reflect on the present moment and the various ways we perform and inscribe our identities. How do we mark ourselves in a world that is increasingly mediated by digital interfaces rather than the personal touch of ink on paper?