Waterfront 1943

Curator: Looking at this artwork by Marion Osborn Cunningham titled "Waterfront," dating back to 1943, I am immediately drawn to the somewhat ominous tone of the work. It seems almost like a dream, both nostalgic and unsettling. Editor: Dreamlike is a great descriptor. The geometric and somewhat flattened shapes contribute to this quality, yet there's so much narrative detail. Cunningham’s choice to portray the scene through watercolour and print is interesting considering the political backdrop to its creation. How do you think this connects? Curator: The ships depicted aren't merely vessels, they embody power. The heavy forms and muted colours suggest resilience amidst conflict. Considering the period, and with some of the iconography present, one can almost argue that this work exists almost as an illustrated narrative speaking to the mood during World War II, and maybe about America’s preparation to play its part. Editor: I agree. There's a subtle sense of preparation permeating every corner of this image, both from a military perspective and from the public infrastructure side as well. From the roads busy with traffic to trains lining up at the waterfront, there’s something fascinating about the artist’s dedication to depict a sense of movement as goods travel to the docks in wartime. This image isn't just a depiction of a physical space; it embodies the social reality of that moment in history. The inclusion of a passenger blimp contrasts with warships: A fascinating juxtaposition to underscore different interpretations and concerns in the narrative, don’t you agree? Curator: Absolutely. Also, what strikes me is the artist's playful and slightly absurd representation. Some elements of the boats carry anthropomorphic faces, while the aircraft overhead possesses an elegance as it cruises slowly toward the distant mountain, seemingly unconcerned about anything below. There's a complex story that reveals a dream-like portrayal with archetypes and symbolic tension at every corner. Editor: It does make me appreciate how Cunningham challenges traditional war imagery. Rather than grand heroic portrayals, she offers something nuanced and thought-provoking: a blend of civic engagement and individual uncertainty. Thanks for offering an insightful perspective on this. Curator: Thank you, likewise. The symbolic landscape continues to resonate, unveiling its layers long after our initial glance.