Two of the Seven Falls of Christ (Schr. 647 & 653) 15th century

These two woodcuts on a single sheet depict episodes of Christ's Passion, capturing moments of profound suffering. Observe how Christ is pulled by ropes in both scenes; this motif transcends mere physical action, becoming a symbol of subjugation. In antiquity, similar scenes appear in depictions of captured enemies being dragged before triumphant rulers. The repetition of the 'dragging' motif across cultures underscores a timeless narrative of power and humiliation. It’s a motif echoed through the ages, resurfacing even in contemporary contexts where figures of authority are depicted in ways that evoke domination and control. The emotional power of these scenes lies in the primal fear of helplessness, a sentiment deeply embedded in our collective consciousness. The raw exposure of the body, the enforced submission – these are archetypal images that engage viewers on a visceral level. The symbol of the rope has a non-linear progression, it has resurfaced and evolved through history, taking on new meanings in different contexts.