Koorbank van eikenhout in de Sint-Salvatorskathedraal in Brugge, België before 1887

This is an image of an oak choir stall in the Sint-Salvatorskathedraal in Bruges, Belgium. It was created by an anonymous artist. The monochromatic palette emphasizes the textures of the wood, drawing our attention to the intricate carvings and architectural details. The composition presents a fascinating interplay of horizontal and vertical lines, creating a grid-like structure that is both orderly and complex. This architectural space is divided into modules, each containing carved elements, which invite closer inspection. The image operates as a sign within a larger cultural context. The cathedral itself is a symbol of religious authority and architectural prowess. Details, like the geometric patterns and the repetition of forms, suggest a concern with order, hierarchy, and the sacred. These formal elements not only define the visual experience but also contribute to the cathedral's function as a space of spiritual contemplation. The photograph invites us to consider the complex semiotic relationship between form and cultural meaning.