Schoorsteenmantel in de vergaderzaal op de eerste verdieping van het stadhuis van Kortrijk, België by Anonymous

Schoorsteenmantel in de vergaderzaal op de eerste verdieping van het stadhuis van Kortrijk, België before 1887

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print, relief, photography, sculpture, wood, marble

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print

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relief

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11_renaissance

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photography

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sculpture

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wood

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history-painting

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northern-renaissance

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marble

Dimensions height 340 mm, width 238 mm

Editor: So, this photograph documents the "Schoorsteenmantel in de vergaderzaal op de eerste verdieping van het stadhuis van Kortrijk, België," which translates to, roughly, "Chimneypiece in the meeting room on the first floor of the Town Hall of Kortrijk, Belgium." It's dated before 1887, and seems to depict a very elaborate sculpted marble and wood fireplace. It has so many figures and intricate carvings! What is your reading of this piece? Curator: It's a powerful statement of civic identity. The photograph, taken before 1887, captures not just a decorative element, but a key piece of political symbolism within the Kortrijk Town Hall. Consider the historical context. What stories might the sculpted figures be telling? Who commissioned it and for what purposes? Editor: The text below the image in this document actually mentions the fireplace being executed in 1527, so this picture is a later copy or reproduction. It looks like Charles Quint is being represented. Curator: Exactly. The fireplace then becomes a form of visual propaganda. Displaying such a grand, history-laden chimneypiece in a meeting room isn't just about aesthetics; it's about legitimizing power, reminding visitors of Kortrijk's past, and aligning it with figures like Charles Quint. How do you think the room's function informs its design? Editor: So, it’s about using history to make a political point? The Town Hall as a stage for political performance. I suppose I hadn’t thought about the power dynamics embedded within what I first saw as just ornate decoration. Curator: Precisely. The photograph itself, taken and circulated later, also participates in this dynamic. It solidifies the narrative and broadcasts it further. By reproducing it, what point is the photographer attempting to make? Editor: Wow. So even something that appears so straightforward can have so many layers when viewed through a historical lens. I never thought about a fireplace being political before!

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