Oni guinomi (sake cup) c. 2000

Curator: Here in the Minneapolis Institute of Art we have John Dix's sake cup, "Oni guinomi," created around the year 2000. Editor: Immediately I'm struck by the texture! It’s as if the clay is trying to mimic something organic, like tree bark or the skin of a fruit that’s seen better days. It feels surprisingly tactile for a sake cup. Curator: Well, the rough, almost wabi-sabi aesthetic is pretty deliberate here. Look closely at the earthenware and stoneware; the rawness of the materials feels intentional. Editor: Absolutely. It really highlights the making. I mean, you can almost see Dix wrestling with the clay on the wheel. The rough textures also bring the geological aspect to the surface; the clay feels connected to the very earth. It makes me think of the labour involved in getting those materials! Curator: In a way, it feels like a celebration of imperfection. Instead of striving for flawless symmetry, it’s kind of beautifully lumpy. Reminds me that nothing is ever really, truly perfect. It's comforting somehow. And look at how the glaze pools in those little valleys! Editor: The color palette definitely keeps things grounded too. All those earthy tones create a sense of connection to place and utility. Like it should live outside among the trees and stones, being useful, not just be decorative. Curator: I can imagine drinking sake from this; It makes me feel very cozy, huddled up during the Autumn, looking at falling leaves. Editor: Agreed, this isn't some precious object hidden away in a cabinet. It is something meant to be touched and used, reflecting our complex relationship with objects and what we choose to consume with them.