Samson tearing the lion's mouth 1760

Editor: This sculpture, titled "Samson tearing the lion's mouth," was created around 1760 by Johann Georg Pinzel. It looks to be gilded wood, and it's incredibly dynamic. The musculature, the contorted expression... it really captures a sense of raw power. What stands out to you? Curator: Immediately striking is the contrast, not only of texture between the smoothness of Samson's skin and the rough mane of the lion, but also the angularity versus curvature displayed between the human and animal forms. Pinzel uses the body of the lion as a pedestal, and the implied line from the top right draping garment to the tip of the bottom left leg provides clear visual architecture to this violent, energetic sculpture. Editor: So, you’re saying that the placement of Samson and the lion creates a sort of visual…framework? I see that the drapery mirrors the animal’s leg in its jutting posture. Curator: Precisely. Observe how the drapery almost serves as a counterweight, balancing the thrust of Samson’s force. Also note Pinzel's usage of colour – the slight difference between the skin tone of Samson compared to the gold throughout provides contrast and draws our eyes to the figure’s power. Were they to have been the same, it would’ve obfuscated their relationship and lessened the image overall. Do you agree with that assessment? Editor: I do now. I initially focused on the drama, but now I appreciate how strategically the artist employed lines and colour to draw me in. Thank you for helping me to see this masterpiece in a whole new light. Curator: My pleasure. It is often through careful, close looking and intellectual curiosity that art is appreciated most.