Dimensions: height 193 mm, width 135 mm, thickness 20 mm
Copyright: Rijks Museum: Open Domain
Curator: The work before us is the title page for "Aus meinem Bühnenleben," or "From my Stage Life," a book published in 1876. Editor: The phrase, especially with the fraktur typeface, makes me think of old theater posters and shadowy figures behind velvet curtains. It hints at dramatic reveals, whispered secrets. Curator: Precisely. The text, arranged in a very deliberate hierarchy, announces that it is a book of memoirs by Karoline Bauer, edited by Arnold Wellmer. The claim of being the second, significantly expanded edition suggests an initial success. Editor: The aging of the paper adds to that sense of history. It’s almost a character itself. Each speckle seems to hold some of the stories promised by the cover. Does the eagle symbol printed near the base suggest it was endorsed or official in some way? Curator: Indeed, that is the Prussian coat of arms. And it tells us about the original publisher – Verlag der Königlichen Geheimen Ober-Hofbuchdruckerei, implying it was the publishing house for the Royal Court. Editor: I can almost hear the rustling of its pages. Knowing the publishing house, it takes the personal narrative of a stage life, as you suggested, and elevates it somehow. A paradox. Curator: A delicious one, isn't it? The choice of typeface, the layout – everything contributes to a sense of considered gravitas, setting expectations about how the stage life will be presented. Editor: The German Expressionism label suggests an emotional current too, even with formal conventions. Perhaps there are intense confessions within, barely restrained by that careful typeface. Curator: Undoubtedly. There's a tension here between the formality of print and what I imagine might be raw emotion, if "Stage Life" holds the experiences implied by it's genre. Editor: Overall, it evokes a beautiful contradiction, doesn't it? Official formality meets the hint of stage-life scandal. It would be very fun to dive into this to see which direction is most compelling. Curator: Indeed; from the publisher down to the type and faded script, its historical encoding yields fascinating information, just waiting to be unlocked.
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