Gezicht op slot Hässelbyholm by Adam Perelle

Gezicht op slot Hässelbyholm 1670 - 1674

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drawing, paper, pen

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drawing

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aged paper

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toned paper

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baroque

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ink paper printed

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sketch book

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landscape

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paper

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personal sketchbook

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pen-ink sketch

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pen and pencil

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pen work

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sketchbook drawing

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pen

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cityscape

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sketchbook art

Dimensions height 211 mm, width 339 mm

Curator: The pen and ink drawing before us, dating from between 1670 and 1674, captures a vista of Hässelbyholm Castle. Adam Perelle is the artist credited with this delicate landscape, which resides within the Rijksmuseum’s collection. What are your initial impressions? Editor: I’m immediately struck by its air of ordered serenity, despite the bustling little figures populating the grounds. It's almost like a stage set for courtly life. Curator: Yes, those figures feel carefully arranged. What does it suggest about power to you? We have this imposing architecture set back in the landscape and human presence as if choreographed, but I'm unsure where this all lands regarding power dynamics. Editor: Power is undoubtedly present, carefully presented and asserted. Note the geometric precision of the gardens contrasted with the loose foliage – a taming of nature itself to reflect rational, hierarchical society. This kind of symbolic dominance had incredible appeal to certain elites who enjoyed these manors. Curator: Looking closer, there are some unusual details within the idealized composition, like the flourishes above the scene. I believe they're laurel wreaths with coats of arms displayed within each. These devices were carefully used as a source of pride for the ones who bore the sign, perhaps influencing some element of self-image. Editor: You’re right, the family crests are a strong identifier, placing this landscape firmly within a framework of status. The composition is so open and airy and communicates ease and grandeur. There's also an element of permanence – an assertion that this estate, this lineage, will endure. I wonder, how accurate are such depictions, or do they veil the often messy realities of life in such settings? Curator: That’s a crucial point. While Perelle’s drawing likely aimed to glorify Hässelbyholm, considering the socio-political backdrop can open a window onto aspects glossed over: labor relations, challenges to authority. It's intriguing to think of these serene facades alongside the social upheavals of the era. Editor: Indeed. Examining Perelle’s technique and symbolic language grants valuable insight, not just into artistic style but also into the cultural values shaping the era. A valuable conversation for two minutes with "Gezicht op slot Hässelbyholm"! Curator: I concur. Analyzing historical artwork alongside socio-historical frameworks shows just how relevant the past is for critically navigating our present.

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