Rhinoceros, from Quadrupeds series (N41) for Allen & Ginter Cigarettes by Allen & Ginter

Rhinoceros, from Quadrupeds series (N41) for Allen & Ginter Cigarettes 1890

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drawing, coloured-pencil, print

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drawing

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coloured-pencil

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print

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impressionism

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coloured pencil

Dimensions Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm)

Editor: This is "Rhinoceros" from the "Quadrupeds" series, N41, made by Allen & Ginter Cigarettes in 1890. It appears to be a colored pencil drawing, reproduced as a print. The depiction of the rhinoceros has such a compelling and detailed presentation, surrounded by foliage within what looks to be a cigarette card design. What strikes you most about this image from a formal perspective? Curator: Note the composition's clever arrangement: the subject occupies a central, clearly defined rectangular space. The periphery presents stylized foliage, not precisely framing, but almost mirroring the central motif. Do you observe how the artist used line and color? Editor: I see the distinct outlines that define the rhinoceros, giving it a very palpable sense of volume. The colors are muted, earthy tones which add to the realism. Curator: Precisely. The texture created by the colored pencil suggests the animal's hide while imbuing the entire image with a unified visual field. The mirroring effect within the periphery, specifically in the corners, is of particular note as well. Consider how that design enhances the sense of symmetry. Editor: That's interesting, it almost feels like a simplified echo of the central image. How does the interplay of positive and negative space play into this piece? Curator: The positioning of the animal, occupying a considerable amount of the pictorial space, draws our attention immediately, but the space it *doesn't* occupy--especially its reflection in the corner--creates tension and contributes to the work’s balance. Does this perspective alter your initial perception of the piece? Editor: Absolutely. I now see how the seemingly decorative elements outside of the main illustration contribute to a unified formal structure rather than just being ornamental. Thank you. Curator: And I now appreciate that the intersection of commercial art and zoological illustration results in more complex layering and meaning than might appear.

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