20 Part Line Painting 1991

Editor: This is Alan Charlton’s *20 Part Line Painting*. It's striking how the simple vertical bars create a sense of rhythm. What do you make of its composition? Curator: The intervals between the charcoal-colored bars define the work as much as the bars themselves. Consider how the negative space interacts with the solid forms; it’s a study in proportion. Editor: So the lines aren't just lines. How does the color work here? Curator: The monochromatic palette draws our attention away from coloristic concerns and towards the formal relationships at play. What we are left with is pure form. Editor: That’s a great point. I can see how the lack of color emphasizes the structure. Curator: Indeed. And consider the interplay of light and shadow on the surface. Subtle, but crucial to understanding its spatial qualities. Editor: I hadn't noticed that before, but it really does add another layer. Thanks! Curator: My pleasure! It is always good to think about the intrinsic qualities of art.