To sovende katte. 1843

Editor: This pen and ink drawing from 1843 is titled "Two Sleeping Cats," made by P.C. Skovgaard. It looks quite simple, yet elegant. The cats are snuggled together on what appears to be a windowsill. What strikes you about this drawing? Curator: Well, looking at the medium, ink, what kind of statement does that make, given its relative affordability and accessibility? Why choose it over something perceived as inherently ‘higher’ in art circles, like oil paint? And why cats? Domestic scenes were growing in popularity. Who do you think bought art like this, and why? Editor: That’s fascinating! I guess it makes the artwork more accessible to the rising middle class, who would relate to a cozy, domestic image. So the medium, ink, almost democratizes the subject matter, connecting it to a broader audience. Curator: Exactly! And consider the labor involved. Think of the tools Skovgaard employed and the skill needed to execute this with precision. We often overlook the labor that goes into even seemingly simple sketches, assuming a direct transfer of genius from artist to paper. Was this piece commissioned, or done to hone skills? Editor: That's a great point. It challenges this idea of the artist as someone divinely inspired, highlighting the more grounded reality of their work, training, and available resources. Curator: How does focusing on materials and process influence how we value this piece of art versus seeing it solely as a sweet portrayal of cats? Editor: It gives it more depth, because it forces you to consider art's purpose during this historical time period beyond the aesthetic. It makes the art tangible, understandable and therefore I think it can connect with more people. Curator: Precisely. Examining the "stuff" of art helps to peel back the layers of romanticism that so often shroud it.