Study for the Law, Undraped, for "Israel and the Law," Boston Public Library 1895 - 1916

Curator: John Singer Sargent created this undraped study for his mural "Israel and the Law," intended for the Boston Public Library. Editor: The charcoal work is striking. The figure's weight seems both grounded and contemplative. What can you tell me about its making? Curator: Sargent's process involved numerous studies. We see the figure's pose – crouched, head resting – rendered with a focus on form. Editor: I'm interested in the use of charcoal. It allowed Sargent to quickly capture light and shadow, creating a sense of volume. Was this a common medium for him? Curator: While known for oil portraits, Sargent often used charcoal for preparatory sketches. It provided flexibility as he worked out the composition. Considering the mural's theme, I see this figure’s pose embodying the weight and burden of law. Editor: The connection to law through its materiality intrigues me. The charring process itself speaks to transformation and permanence, essential to law’s perceived nature. Curator: Indeed. Sargent’s study lets us consider law not as abstract, but as a human construct. Editor: Absolutely. The interplay of material and subject encourages a deeper understanding.