Portret van Azo van Bologna c. 1597 - 1599

This engraving, *Portret van Azo van Bologna*, was created in the late 16th century by Theodor de Bry. At first glance, the formal structure is dominated by the oval frame, within which the portrait is meticulously rendered. Consider the composition: the subject's face is centrally positioned, inviting an immediate connection. The use of line is particularly striking. Notice how the delicate hatching defines the contours of Azo's face, creating a sense of depth and volume within the flat plane of the engraving. The contrasting textures – the smoothness of the face against the fur trim – add visual interest. The frame itself is not merely decorative. The strategic use of naturalistic elements, like the flowers and insects, creates a border that is both ornamental and symbolic. It serves to elevate the subject. This intricate detail invites us to consider the broader context of the subject.