print, woodcut
pen illustration
figuration
woodcut
history-painting
northern-renaissance
Dimensions height 92 mm, width 124 mm
This is a woodcut, probably made in Antwerp by the artist known only as the Master of Antwerp. It shows the miracle of the Raising of the Son of the Widow of Nain. The artwork is made using a relief printmaking technique. The artist carves an image into a block of wood. The remaining raised areas are inked and pressed onto paper. This process leaves a distinctive texture and strong lines. Each color requires a separate block, demanding precision and skill. The woodcut technique allowed for relatively quick and inexpensive reproduction, making religious imagery accessible to a wider audience. The strong lines and bold colors add to its graphic impact. This work reflects a time of profound social and religious change, when new technologies democratized image-making and challenged traditional artistic hierarchies. Thinking about the material and processes used in this print allows us to appreciate not only its visual appeal but also its historical and cultural significance. It reminds us that art is not just about aesthetics; it's also about the stories and technologies that shape our world.
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