Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 26 (recto) 1610

This is page 26 from ‘Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone,’ or ‘Flower of all Virtues For the Noble and Honest Matrons,’ created by Isabella Catanea Parasole in the late 16th or early 17th century. Parasole was an Italian woodcut artist and printmaker, who was unusual for her time as she was a successful, working female artist. This book of lace patterns provides a fascinating glimpse into the lives of women in the Renaissance, and the intersection of gender, class, and artistry. Lace making was seen as a virtuous activity for noble women. Parasole aimed to provide patterns that were accessible for women to engage with this form of artistry. The designs here feature geometric and floral motifs. The title of the book itself suggests the perception of women, and the expectations held for them at the time. Consider how this book challenges or reinforces traditional gender roles. While lace making was considered a domestic craft, Parasole elevated it to an art form, demonstrating her skill and creativity as a designer and businesswoman. This work reveals the complex interplay between art, gender, and society in the Renaissance.