John Sherman of Ohio, from the Presidential Possibilities series (N124) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco by W. Duke, Sons & Co.

John Sherman of Ohio, from the Presidential Possibilities series (N124) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco 1888

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drawing, lithograph, print

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portrait

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drawing

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lithograph

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print

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impressionism

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men

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animal drawing portrait

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portrait drawing

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history-painting

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portrait art

Dimensions Sheet: 4 1/8 × 2 1/2 in. (10.4 × 6.4 cm)

Editor: This lithograph print, "John Sherman of Ohio, from the Presidential Possibilities series," created in 1888 by W. Duke, Sons & Co., presents a somewhat idealized portrait. The delicate blending of colors, almost impressionistic in style, gives the figure a soft, almost ethereal quality. What do you make of the piece? Curator: The primary element to observe is how the print structures our perception of John Sherman through calculated aesthetic choices. Note how the artist employs soft gradations of color to delineate the planes of the face, almost sculpting the figure out of light and shadow. The hazy, indistinct background, a field of pale blue stippling, serves to push the subject forward. What effect does the artist accomplish here? Editor: It makes him seem very present and important, even though the background isn’t clearly defined. The lack of harsh lines gives it a gentle, approachable feel. Curator: Precisely. Observe also the considered use of line. The sharp delineation of the suit contrasts significantly with the soft rendering of the face. This juxtaposition guides the viewer's eye, moving from the formal attire—signifying status and authority—to the more human, expressive qualities of the face. Are we given any psychological insight here? Editor: I think the effect is more symbolic than literal. It conveys a sense of trustworthiness, perhaps. It definitely presents him in a positive light. The details seem carefully chosen to project a particular image, in this case perhaps that of an ideal presidential candidate. Curator: Precisely, and one might extend that reading to consider the overall composition: a stable, pyramid-like structure formed by the subject's head and shoulders, imbuing him with a sense of gravitas and permanence. The interplay of these visual elements, I suggest, constructs a powerful message beyond mere representation. Editor: Seeing how the formal elements work to create that impression changes my understanding of its purpose. I appreciate the closer look at composition and colour. Curator: Indeed, analyzing these intrinsic qualities offers a deeper appreciation. By recognizing visual tools, one gains enhanced interpretive abilities, refining perception beyond face value.

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