An Idiom for What Humanity Calls Progress 

Az's "An Idiom for What Humanity Calls Progress," a piece from New Orleans, presents a stark contrast. A complex, precarious structure, seemingly modern and populated with figures engaged in various activities, hovers precariously above a massive pile of skulls. This juxtaposition of human activity with a mountain of death creates a powerful visual commentary, possibly critiquing societal advancement at the cost of immense human suffering. The monochrome palette enhances the grim atmosphere, highlighting the weight of the implied sacrifice. The artwork’s style blends elements of surrealism and social commentary, making it a thought-provoking piece.