Curatorial notes
Jacqueline Hick made this painting, Lazarus, with oil paint and a somber palette. Look at how the paint has been applied in broad strokes, like she's dragging the figures out of the darkness! There's a rawness to the materiality here. The surfaces are built up with layers, creating a kind of tactile depth, and a great sense of atmosphere. Notice especially the central figure; that figure's ribcage is rendered in such a way that you can almost feel the bones pressing against the skin. It's not just an image, it's a visceral experience. The emotional intensity reminds me of Paula Rego's uncompromising vision. Both artists have a shared interest in confronting difficult and complex themes. Ultimately, Lazarus embraces the power of ambiguity, inviting us to bring our own interpretations.
