Reverse Processing, Cement Transplant, East River, NY, 1970 by Dennis Oppenheim

Reverse Processing, Cement Transplant, East River, NY, 1970 1978

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Dimensions: image: 498 x 590 mm

Copyright: © Dennis Oppenheim | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is Dennis Oppenheim’s "Reverse Processing, Cement Transplant, East River, NY," from 1970. It pictures barges of cement in the East River. The scale of this industrial landscape feels immense. What was Oppenheim trying to say about labor and the city? Curator: Notice how Oppenheim foregrounds the transportation of raw materials—cement—essential for urban development. He’s drawing attention to the very foundations of the city, exposing the means of production, the materials, and the labor often hidden from view. It is a social commentary. Editor: So, the 'transplant' in the title refers to the movement of materials and maybe even the displacement of people? Curator: Exactly. Consider also how this work challenges the traditional boundaries between art and industry. Oppenheim isn’t just depicting the scene, he’s implicating himself, and us, in this system of material exchange. Editor: I never considered how cement could be so poetic. Thanks! Curator: A new perspective, I hope.

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tate 4 days ago

http://www.tate.org.uk/art/artworks/oppenheim-reverse-processing-cement-transplant-east-river-ny-1970-t07591

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tate's Profile Picture
tate 4 days ago

Reverse Processing: Cement Transplant, East River, NY, 1970 is an atmospheric colour photograph looking across a section of broad river to industrial development on its far bank. In the foreground, six flat-topped barges traverse the image. Each is inscribed with a large, white X. A small section of detritus-scattered quayside is visible in the bottom right hand corner next to the barges. A motor-powered passenger boat pulled up next to an extended quay stretching into the river on the other side of the barges gives a sense of scale. The urban landscape in the far distance disappears into haze; the image is coloured with a pinky red light suggesting that the photograph was taken at dawn or dusk.