Envy, from Virtues and Vices 1596 - 1597

Zacharias Dolendo created "Envy, from Virtues and Vices," using engraving techniques during a period marked by significant religious and social upheaval in Europe. The print embodies complex ideas about morality and human nature. Envy is depicted as a grotesque, genderless figure whose body is almost monstrous, with snakes for hair and a disturbing expression. This representation reflects the period's understanding of envy as a corrupting force that distorts and degrades the individual. The figure's prominent display suggests themes of gender and power, pointing to how envy can destabilize social hierarchies and personal identities. The act of self-harm, with the figure gnawing at its own flesh, underscores the self-destructive nature of envy. In the background, we see society being destroyed by envy. This connects the personal, internal struggle with broader societal issues, showing how individual vices can lead to widespread conflict and ruin. The emotional resonance of the artwork lies in its stark portrayal of human frailty and the destructive potential of unchecked emotions.