Très Parisien, 1923, No 11: 16. - INSOUCIANCE. - Jolie, cette toilette simple... by Anonymous

Très Parisien, 1923, No 11: 16. - INSOUCIANCE. - Jolie, cette toilette simple... 1923

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drawing, paper, ink

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portrait

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art-deco

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drawing

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paper

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ink

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watercolour illustration

Dimensions: height 269 mm, width 180 mm

Copyright: Rijks Museum: Open Domain

Curator: Tell me about "Très Parisien, 1923, No 11: 16. - INSOUCIANCE. - Jolie, cette toilette simple..." What are your first impressions? Editor: This drawing, made with ink and watercolor on paper, depicts a stylish woman smoking. The Art Deco aesthetic is undeniable, and I’m struck by the casual, almost nonchalant mood it conveys. What do you see in this piece? Curator: Beyond the stylistic elegance, I see a snapshot of changing societal norms. The woman's "insouciance," or carefree attitude, connects directly to the evolving roles of women in the 1920s. Her stylish yet simple dress, created by Jean Patou, underscores a shift away from restrictive Victorian fashion. How does the act of smoking, a then-controversial activity for women, contribute to this narrative? Editor: It definitely challenges traditional gender roles, signaling independence and a break from convention. It’s interesting how a seemingly simple fashion illustration can reveal so much. Curator: Exactly! And consider the title's emphasis on Parisian identity, linking modern female emancipation to the heart of French culture. How might the intended audience, reading this in 1923, interpret the message about female liberation? Were they meant to emulate it, criticize it, or simply acknowledge the shift? Editor: I guess the artwork captures a complex transitional period. The elegance and "insouciance" might mask underlying tensions about female identity and societal expectations. I appreciate you linking it to broader feminist concerns! Curator: Absolutely, looking at this drawing allows us to understand better the dynamic forces that have shaped society, inviting reflection on the complex negotiations of identity, gender, and freedom then and now. Editor: Thank you. Now I see that this is more than a drawing of a stylish woman; it’s a coded statement about a moment of great social change.

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