Gezicht op Saint Paul's Cathedral achter Waterloo Bridge te Londen 1896
drawing, print, etching
drawing
impressionism
etching
etching
cityscape
Curator: Here we have Joseph Pennell’s etching from 1896, titled "View of St. Paul's Cathedral Behind Waterloo Bridge in London." Editor: Ah, London veiled in a dream. It feels like peering through a rain-streaked window. The cathedral, a ghostly giant rising from the urban fog. Curator: The print is an etching, so we’re seeing the results of a process of biting into a metal plate with acid to create the lines that hold ink. Pennell was incredibly prolific as a commercial artist and his etchings reflect his involvement with industrial scenes. The scene emphasizes labor both within the art and the activities captured. Editor: There’s something deeply melancholic about the soft focus on the bridge and St. Paul's. Almost as if he were capturing a fleeting memory of London during the industrial revolution. The Thames seems almost too ethereal here. Do you see the hint of steamboats further off? Curator: Yes, he’s focusing on the flow of industry, capital, and people, but you are correct to see the artist highlighting what industrial processes are obscuring. His involvement in the Arts and Crafts movement surely influenced the focus of his prints, given its commentary on how mechanized and factory-led production changed creative industries. Editor: It's as if he’s making us question the cost of progress – what is gained and what’s been lost. You can feel the weight of the city in those soft lines, the river carrying more than just water. More, a story about all the individuals who lived here throughout history. Curator: And he creates it all using modern methods. It feels somewhat contradictory. But ultimately he captures a changing London using changing technology. The means and location work with each other to reflect the modern turn-of-the-century experience. Editor: Perhaps Pennell sought to give those memories permanence, not just as historical records but as personal encounters, filtered through a mood. Thanks, it’s beautiful! Curator: A truly excellent distillation of our insights. Thanks!
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