graphic-art, typography
graphic-art
repetition of black
random pattern
pattern
text
geometric pattern
typography
minimal pattern
organic pattern
geometric
geometric-abstraction
repetition of pattern
abstraction
line
pattern repetition
layered pattern
digital-art
combined pattern
repetitive pattern
Bahia Shehab’s Monthalath typeface is a testament to how graphic design can distill culture into minimal forms. Just imagine Shehab with her tools, refining these triangles over and over. What do you think she was thinking about while she made them? Here, each black triangle, precisely crafted, echoes the rich heritage of Arabic calligraphy. The density of the black ink against the stark white background creates a visual vibration—a quiet hum of graphic intent. It's like each shape is in conversation with the others, each one leaning into the other. It reminds me of my own painting practice, where I often find myself reducing forms to their bare essentials, searching for that perfect balance between simplicity and expressiveness. It’s all part of a long, ongoing conversation, and each contribution adds something new to the mix.