Female image by Hryhorii Havrylenko

Female image 1975

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drawing, pencil

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portrait

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pencil drawn

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drawing

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self-portrait

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pencil sketch

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figuration

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pencil drawing

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pencil

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line

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portrait drawing

Curator: Hryhorii Havrylenko created this work, "Female image", in 1975. It's a drawing done with pencil on paper. What are your initial thoughts? Editor: The immediate impression is one of understated melancholy. The figure's gaze is averted, and the stark simplicity of the lines creates a sense of vulnerability, or perhaps, introspection. Curator: Indeed. The use of line, particularly the hatching that defines the hair and creates the background, is quite striking. It serves to flatten the picture plane, emphasizing the two-dimensionality of the drawing. There is an interesting play with positive and negative space here. Editor: Precisely. But within the social context of 1975, one must consider how the minimalist depiction of the female form challenges or reinforces established norms. Is this a deliberate stripping away of objectification, or a reflection of limited resources and restricted artistic expression within a specific socio-political sphere? The lack of adornment forces a focus on the figure, demanding a reckoning with female identity outside the bounds of conventional representation. Curator: An interesting point. However, one might also argue that the artist's concern is primarily with the formal qualities of the portrait, the way line and tone can be manipulated to create a likeness and convey a certain mood. The rendering of light and shadow on the face is masterly, even with such limited means. Editor: Agreed, the technical skill is undeniable. Yet, technique never exists in a vacuum. What is this figure looking at, or away from? I wonder about her lived experience and social conditioning at the time of the drawing. Does she have agency, or is she subject to a patriarchal gaze? Curator: Ultimately, it's the synthesis of both that makes the drawing so compelling. Havrylenko masterfully balances formal considerations with a profound psychological insight, achieving a work that resonates beyond its immediate historical context. Editor: It's a quiet piece that nevertheless provokes strong questions about the representation and the social positioning of women, inviting continuous conversations across generations.

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