Chinese woning aan de Molenvliet te Batavia by Woodbury & Page

Chinese woning aan de Molenvliet te Batavia 1870 - 1872

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photography, albumen-print, architecture

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asian-art

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landscape

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photography

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historical photography

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19th century

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albumen-print

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architecture

Dimensions height 189 mm, width 240 mm

Curator: This albumen print, dating from around 1870-1872, presents us with a photographic image by Woodbury & Page, titled "Chinese woning aan de Molenvliet te Batavia," which translates to "Chinese house on the Molenvliet in Batavia." Editor: Mmm, sepia-toned stillness...it almost feels like stepping into a dream. Look at the light, the way it softly blankets the building, giving everything this mellow, almost nostalgic vibe. Like a forgotten melody, wouldn't you say? Curator: Absolutely, and that feeling is, in part, related to understanding the context of the Dutch East Indies during this colonial era. Woodbury & Page documented a society grappling with cultural intersections. Examining the architecture here, it's apparent how the Chinese diaspora shaped urban landscapes. The fusion of architectural styles reveals layered histories of identity and power. Editor: Power is the keyword here, indeed! While appearing tranquil, this house probably belonged to a very affluent member of society, someone capable of commissioning their own portrait of wealth and prosperity within the frame of colonial infrastructure, a visual dance of survival and adaptation! Curator: Exactly. The photographic medium, employed by Woodbury & Page, also highlights questions surrounding representation and orientalism in colonial contexts. How does their lens shape and mediate our perception of the portrayed inhabitants? Are they simply recording what's there, or are they constructing something new? Editor: Oh, constructing for sure! A bit like us, now, making sense of them in a new context! The real magic, I think, happens in those quiet moments when the facts meet feeling and you start imagining the stories that unfolded within those walls. It definitely whispers resilience. Curator: Well said, looking closely we note the layered interplay of commerce, community and complex identities, prompting important dialogues regarding colonial legacies today. Editor: Agreed, the silent stories held by this seemingly quiet picture resonate even now.

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