-Frog on Round Base- c. 1872

Editor: This is “Frog on Round Base,” made around 1872, an American sculpture by Russell A. Frisbie in the collection of the Minneapolis Institute of Art. It seems to be made of painted metal. It’s rather small, but there’s something striking about how commonplace this must have been as a children's toy. What’s your perspective on the object? Curator: Considering this object as an assemblage of cast metal parts allows us to explore its function beyond mere representation. This isn't simply a decorative frog; it's a mechanical bank. Think about the iron casting process, the labor involved in mass-producing these banks, the repetitive action of depositing a coin. Does the piece seem less precious knowing this context? Editor: I hadn’t considered that labor aspect. It makes it feel… less precious, yes, but more connected to a larger world. It also reminds me a bit of craft. Curator: Exactly. The use of iron, the molding and painting— these were often everyday practices and processes of that time, challenging distinctions between high art and utilitarian objects. Consider its purpose in teaching children the values of saving in a budding capitalist society. Where would the materials come from? And who would make it, compared to who owned it? Editor: So it’s not just a frog, or even just a bank. It’s this entire complex system of making and meaning. Do you think knowing its use changes its impact as a sculpture? Curator: Absolutely. Its inherent function as a tool for social conditioning gives it weight. Its creation and circulation reflects economic relationships and social ideologies about childhood and labor. Understanding its materiality unlocks its cultural value. Editor: This has changed the way I will look at sculpture. It’s not just about form; it’s about how it's made and used! Curator: Indeed. Considering these angles gives us a richer understanding of the historical object.