Left Tasset (Thigh Defense) from a Boy's Costume Armor by Hans Seusenhofer

Left Tasset (Thigh Defense) from a Boy's Costume Armor 1507 - 1557

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metal, sculpture

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metal

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sculpture

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11_renaissance

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sculpture

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history-painting

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armor

Dimensions H. 8 3/8 in. (21.3 cm); W. 6 in. (15.2 cm); D. 4 1/2 in. (11.4 cm)

Curator: This is the "Left Tasset (Thigh Defense) from a Boy's Costume Armor," crafted between 1507 and 1557 by Hans Seusenhofer. It's a metal sculpture currently housed at the Metropolitan Museum of Art. Editor: It’s interesting how much detail is in this single piece of armor. I can't imagine how elaborate the whole set would be! What strikes you most about this work? Curator: For me, it raises complex questions about identity and performance. Consider, who was this armor really *for*? It was designed for a boy, yes, but boys inhabit a unique, often politically charged, space in the 16th century. Royalty frequently wielded them to project dynastic aspirations and power. Editor: So, it's not just about protection? Curator: Absolutely not! It's a visual language, communicating status, lineage, and even aspirations. The craftsmanship, the metalwork, it all speaks to privilege and power dynamics. Did this boy have any say in wearing it? How did it shape his perception of himself and his role? These questions reveal complex social expectations projected onto young bodies. The history of boys wearing armor may represent, literally and figuratively, the weight of social expectation. What do you make of this interpretation? Editor: That adds another layer to my understanding of the piece. I didn’t initially consider the social expectations or power dynamics that the armor represents, particularly regarding the boy who wore it. Now, I’m looking at it through a different lens. Curator: Exactly! Examining the armor through a socio-political framework reveals it is much more than just an object; it’s a potent symbol. Editor: It's a powerful reminder of how historical objects can reveal profound truths about society, identity, and the ways we perform ourselves.

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