Study to"Sister Beatrice" 

This print, called "Study to 'Sister Beatrice'," was made by Nicholas Roerich, and while undated, it seems to hark back to medieval woodcuts. The stark contrast between black and white isn't just about aesthetics; it's a direct result of the woodblock printing process. The artist carves away at a block of wood, leaving raised areas that will hold the ink. This requires skill, patience, and physical labor. Notice the consistent, parallel lines used to create shading, it is a laborious job to make them so neat. The very nature of the medium, with its emphasis on clear lines and bold shapes, encourages a graphic, stylized approach, but Roerich elevates what could be a purely commercial technique into high art. The print captures a moment of penitence, inviting us to contemplate themes of redemption and spirituality. By understanding the material and process behind this print, we recognize that art isn't just about the image, it’s also about the labor and craft that brings it into being.